the Portage · the carry between watersLA BAIE DES PUANTSthe Bay of Stinking WatersTHE LAKEsunrise waterTHE LEDGEPointe SableLe Mieux Chapelthe Bay of Whispering Wavesto the north country and the Hodagto the Manitowoc wall, a day's walk southup the bay to Escanaba, where the wagon restswestward to the mill cities · a five years' sojournsouth and west to the ruins of the MidwestThe Way Westwardthe leaving and the coming home, five years apart201320122011201020092013 · home to the Bayback across the water to teach the foundations2008 · out from the Baythe last showing struck, the road running westthe river valleythe walk kept hereHighpointthe printing housethe fallsthe ruin kept herethe Stone Archthe walk kept herethe chain of lakesthe walk kept hereLyndalethe walk kept hereBay SettlementWequiockRed BanksBendervilleDyckesvilleBrusselsNamurRosiereChampionLuxemburgCascoAlgomaKewauneeShoemaker PointDuvallBay ViewLincolnEurenThiry DaemsTonetFrog StationWalhainGreen Baythe Old Holdingthe still point · the cosmogonyNTongue of the Archivist · chamber I of sixIKnuckle Reliquary · chamber II of sixIILoam Gospel · chamber III of sixIIIMurk & Ember · chamber IV of sixIVMycelial Threadwork · chamber V of sixVThe Unknot · chamber VI of sixVIthe Wheel0510 milesTHE GROUNDSsurveyed in the naturalist's handWiddershins Project ArchiveThe Sounding-pod of Point au Sable · Pointe Sable, where the creek gives out into the bayaThe Ledge-Sleeper and the Rock's Own Time · the Ledge, where the creek runs cold off the rockbThe Crow Mage of the Ledge · past the Ledge and up, where a maple and a hemlock stand closecThe Skep-Goblin of the St. Anthony Shrine · the woods behind Le Mieux Chapel, Bay SettlementdThe Tidgetrotters of the Stinking Waters · the shallows of the Bay of Stinking WaterseFinnegan, the Tidgetrotter Cartographer · outbound over the Bay of Whispering WavesfThe Rimewrights of the Under-Ice · the frozen creek, at the under-icegThe Cap-folk of the Field-Margins · the hardwoods toward CascohLe Loup d'Eau · Algoma, where waters meetiwiddershinsthe holding goes deeperTHE OLD HOLDINGthe farmstead, as it was kept in mindplaceholder sheet · every shape a slot for the handNthe north woodsthe ponda few yearsthe NW hedgerowthe hedgerowthe corralthe gardenalways therea few yearsthe eastern fieldgarden, pasture, hay, and meadow by turnspasture, in its yearsVan Lanen Rdthe drivewaythe barnthe garagemachine shedpig pensmoke housethe granarychicken cooppump house (gone)the housethe climbing treehay mowmind the holes in the floorkitchen wingthe sidewalkred back stepsfalse doorpropane tankwood and junkthe little pondsBig Wheel hillthe ditchasparagustall grass, the open middlethorns · berries underneathlilacgrass up the middlewest to the creek, the bike path, and the poolfarther west, a tree fort in the big woodson through the woods, a tree fortsouth across the road, a tree fort in the woodsback up to the county sheetThe Cedar House · by the road, north of the ditch · a stand of close-grown cedars KITCHEN UPSTAIRS LIVING ROOM BEDROOMthe Cedar House KITCHEN UPSTAIRS LIVING ROOM BEDROOMOUR HOUSEthe Cedar Housevignette · placeholder KITCHEN UPSTAIRS LIVING ROOM BEDROOMOUR HOUSEthe Cedar Housefull drawing · placeholderThe Thresher · out in the eastern field · a wreck in the grass the Thresher A DERELICT SHIPthe Threshervignette · placeholder A DERELICT SHIPthe Thresherfull drawing · placeholderThe Fort · in the hedgerow's south tangle · under the thorns ?the Fort ?THE DOUBLE IS NOT YET RECORDEDthe Fortvignette · placeholder ?THE DOUBLE IS NOT YET RECORDEDthe Fortfull drawing · placeholder

Unearthed · mark b

The Ledge-Sleeper and the Rock's Own Time

the Ledge, where the creek runs cold off the rock

The leaf lies where it was filed. What the ground held at this mark is recorded in the archive; the survey only fixes the where.

Research

The Ledge-Sleeper and the Rock's Own Time

A creature that keeps geological tempo in the oldest rock in the county

July 1, 2023

bestiaryescarpmentdeep-timenatural-history
Ink and watercolor field plate: a blue-grey spired, scaled shell-creature with clawed feet and two curling horns, set inside faint orrery circles with marginal roundel studies of crown, horn, and posture.
Terra Incognita, Plate IV · Watercolor, charcoal and India ink on Bristol · The creek, below the escarpment

Below the escarpment the creek runs cold even in July, off the rock. I was in it to the knee when I put my hand on what I took for a stone, and the stone had scales. A spire of a shell, blue-grey, coiled and stepped like a little pagoda, two horns curling off the crown and a set of claws drawn up beneath, and all of it asleep, so far down in sleep that a full day would not have been enough to wake it. It has no reason to reckon a man. A man is over too quickly to notice.

The rock it sleeps in is the oldest thing in the county. The Ledge is the drowned edge of a sea that has been gone four hundred million years, and I came to think, kneeling in the creek, that the creature keeps the rock’s time and not ours, that its year is an age and what I read as hibernation is only its ordinary afternoon.

I ringed the plate with the circles of an orrery, because that is what it is, an instrument for telling deep time, wound down among the mud. I set it back exactly as it lay and built the mud up over it. Whatever hour it is keeping, it is not for me to end.


An earlier telling of this plate, recovered with it. Kept as found.

In the ethereal twilight of the magical creek, a whimsical creature lay nestled a few feet beneath the enchanting mud. As I traversed the meandering waters to the very heart of the escarpment, this little critter revealed itself, not as a chance encounter, but as a destined meeting. It beckoned to me, a messenger from the ancient fae realms, where time dances to a melody that we anthros can scarcely comprehend.

The creature, so intricately connected to the mystical energies of the land, sought to convey a message, a secret whispered through the eons. Yet, the fae, ancient guardians of the arcane, adapt to the passage of time at a pace unfathomable to us. Their language, a symphony of nature’s whispers, eluded my understanding. I longed to grasp the essence of its communication, a connection lost in the labyrinth of ages.

In the stillness of that moment, I realized it was not I who had stumbled upon this ethereal being; it was patiently waiting for me, a humble wanderer in the tapestry of realms. The guardian hibernation of this creature held a tranquility, a slumber steeped in the wisdom of ages. I dared not disturb it further, for I recognized the sanctity of its rest.

With a heart touched by the magic of the encounter, I swiftly sketched the creature, capturing its essence on paper as a testament to our brief communion. And with utmost reverence, I returned it to its subterranean haven, allowing the enchanting fae to resume its ageless slumber, leaving me to ponder the untold tales hidden beneath the layers of mud and time.

the leaves lie in order; turn them back to the rock · drag to pan · scroll to zoom · past 3× the ground gives up small things · the ⊕ marks go down · the marks, listed below ·

the farmstead · drag to pan · scroll to zoom: a stamp far off, a drawing up close · lay the haunting and the doubles appear · zoom all the way out to surface · the ground, listed below