the Portage · the carry between watersLA BAIE DES PUANTSthe Bay of Stinking WatersTHE LAKEsunrise waterTHE LEDGEPointe SableLe Mieux Chapelthe Bay of Whispering Wavesto the north country and the Hodagto the Manitowoc wall, a day's walk southup the bay to Escanaba, where the wagon restswestward to the mill cities · a five years' sojournsouth and west to the ruins of the MidwestThe Way Westwardthe leaving and the coming home, five years apart201320122011201020092013 · home to the Bayback across the water to teach the foundations2008 · out from the Baythe last showing struck, the road running westthe river valleythe walk kept hereHighpointthe printing housethe fallsthe ruin kept herethe Stone Archthe walk kept herethe chain of lakesthe walk kept hereLyndalethe walk kept hereBay SettlementWequiockRed BanksBendervilleDyckesvilleBrusselsNamurRosiereChampionLuxemburgCascoAlgomaKewauneeShoemaker PointDuvallBay ViewLincolnEurenThiry DaemsTonetFrog StationWalhainGreen Baythe Old Holdingthe still point · the cosmogonyNTongue of the Archivist · chamber I of sixIKnuckle Reliquary · chamber II of sixIILoam Gospel · chamber III of sixIIIMurk & Ember · chamber IV of sixIVMycelial Threadwork · chamber V of sixVThe Unknot · chamber VI of sixVIthe Wheel0510 milesTHE GROUNDSsurveyed in the naturalist's handWiddershins Project ArchiveThe Sounding-pod of Point au Sable · Pointe Sable, where the creek gives out into the bayaThe Ledge-Sleeper and the Rock's Own Time · the Ledge, where the creek runs cold off the rockbThe Crow Mage of the Ledge · past the Ledge and up, where a maple and a hemlock stand closecThe Skep-Goblin of the St. Anthony Shrine · the woods behind Le Mieux Chapel, Bay SettlementdThe Tidgetrotters of the Stinking Waters · the shallows of the Bay of Stinking WaterseFinnegan, the Tidgetrotter Cartographer · outbound over the Bay of Whispering WavesfThe Rimewrights of the Under-Ice · the frozen creek, at the under-icegThe Cap-folk of the Field-Margins · the hardwoods toward CascohLe Loup d'Eau · Algoma, where waters meetiwiddershinsthe holding goes deeperTHE OLD HOLDINGthe farmstead, as it was kept in mindplaceholder sheet · every shape a slot for the handNthe north woodsthe ponda few yearsthe NW hedgerowthe hedgerowthe corralthe gardenalways therea few yearsthe eastern fieldgarden, pasture, hay, and meadow by turnspasture, in its yearsVan Lanen Rdthe drivewaythe barnthe garagemachine shedpig pensmoke housethe granarychicken cooppump house (gone)the housethe climbing treehay mowmind the holes in the floorkitchen wingthe sidewalkred back stepsfalse doorpropane tankwood and junkthe little pondsBig Wheel hillthe ditchasparagustall grass, the open middlethorns · berries underneathlilacgrass up the middlewest to the creek, the bike path, and the poolfarther west, a tree fort in the big woodson through the woods, a tree fortsouth across the road, a tree fort in the woodsback up to the county sheetThe Cedar House · by the road, north of the ditch · a stand of close-grown cedars KITCHEN UPSTAIRS LIVING ROOM BEDROOMthe Cedar House KITCHEN UPSTAIRS LIVING ROOM BEDROOMOUR HOUSEthe Cedar Housevignette · placeholder KITCHEN UPSTAIRS LIVING ROOM BEDROOMOUR HOUSEthe Cedar Housefull drawing · placeholderThe Thresher · out in the eastern field · a wreck in the grass the Thresher A DERELICT SHIPthe Threshervignette · placeholder A DERELICT SHIPthe Thresherfull drawing · placeholderThe Fort · in the hedgerow's south tangle · under the thorns ?the Fort ?THE DOUBLE IS NOT YET RECORDEDthe Fortvignette · placeholder ?THE DOUBLE IS NOT YET RECORDEDthe Fortfull drawing · placeholder

Unearthed · mark a

The Sounding-pod of Point au Sable

Pointe Sable, where the creek gives out into the bay

The leaf lies where it was filed. What the ground held at this mark is recorded in the archive; the survey only fixes the where.

Cabinet · The Unknot

The Sounding-pod of Point au Sable

Field Notes, Terra Incognita, Plate III

June 1, 2023 · “To be free, let go.”

Widdershins Project Archive · File 3A-9

bestiarybaymistsoundingunsettled
Ink and watercolor field plate: a large ribbed seed-nest with red insect legs drifting above a waterline, trailing pendant plumb-shaped pods that graze the surface; corner insets diagram a dirigible and a mite.
Terra Incognita, Plate III · Watercolor, charcoal and India ink on Bristol · Point au Sable

Point au Sable is got to on foot and grudgingly. I went down the creek the whole way, stinging nettle, devil’s beggartick, and the snapping turtles that hold the channel like tollkeepers, and came out where the creek loses itself in the sand and the marsh, and the bay opens flat and grey.

It came out of the mist the way a boat does before you hear it, and I had my pencil going before I had decided it was real. A pod the size of a bushel basket, ribbed and scaled like a wasp-comb or a great closed cone, held up off the water by nothing I could see, walking on a fringe of red legs. Beneath it, on threads, a dozen weights hung down and just touched the surface. Plumb-bobs, lead-lines, the sort of thing a lakeman drops to read the depth. It was sounding the shallows. It was reading the bottom the way I was reading it.

I have set the working parts in the corners as I understood them, the way you would diagram an engine you were not allowed to open: the gas-body above, the ballast below, the mite of it drawn small for scale. Whether it is one animal, or a craft that some smaller thing is sailing, I could not say before the mist took it back. The waterfowl did not startle at it. Only I did.


An earlier telling of this plate, recovered with it. Kept as found.

I trailed the creek, tracing its serpentine course toward the expansive waters, grappling with the stinging nettle, devil’s beggartick, and the ever-present snapping turtles that seemed determined to thwart my journey. Amid the challenges, I pressed on, driven by a curiosity that eclipsed the obstacles in my path. As the creek widened its embrace, demanding a nimble dance along the sandy shore to evade the treacherous muck and marsh, the formidable Point Au Sable loomed in our path.

And then, like a spectral waltz emerging from the mist, it materialized. There it was, a manifestation seemingly conjured from the ethereal realms, beckoning with an enchanting allure. My artist’s soul quickened, and I feverishly sketched its visage, fearing it might vanish like a sprite into the hazy sand bar, where waterfowl mingled with the whispering spirits of the mud-laden soil.

In that fleeting moment, surrounded by the symphony of nature and the dance of unseen guardian spirits, I immortalized the apparition on paper, a testament to the mystical encounter between the mortal and magical realms that unfolded in the heart of the marshy landscape.

the leaves lie in order; turn them back to the rock · drag to pan · scroll to zoom · past 3× the ground gives up small things · the ⊕ marks go down · the marks, listed below ·

the farmstead · drag to pan · scroll to zoom: a stamp far off, a drawing up close · lay the haunting and the doubles appear · zoom all the way out to surface · the ground, listed below