the Portage · the carry between watersLA BAIE DES PUANTSthe Bay of Stinking WatersTHE LAKEsunrise waterTHE LEDGEPointe SableLe Mieux Chapelthe Bay of Whispering Wavesto the north country and the Hodagto the Manitowoc wall, a day's walk southup the bay to Escanaba, where the wagon restswestward to the mill cities · a five years' sojournsouth and west to the ruins of the MidwestThe Way Westwardthe leaving and the coming home, five years apart201320122011201020092013 · home to the Bayback across the water to teach the foundations2008 · out from the Baythe last showing struck, the road running westthe river valleythe walk kept hereHighpointthe printing housethe fallsthe ruin kept herethe Stone Archthe walk kept herethe chain of lakesthe walk kept hereLyndalethe walk kept hereBay SettlementWequiockRed BanksBendervilleDyckesvilleBrusselsNamurRosiereChampionLuxemburgCascoAlgomaKewauneeShoemaker PointDuvallBay ViewLincolnEurenThiry DaemsTonetFrog StationWalhainGreen Baythe Old Holdingthe still point · the cosmogonyNTongue of the Archivist · chamber I of sixIKnuckle Reliquary · chamber II of sixIILoam Gospel · chamber III of sixIIIMurk & Ember · chamber IV of sixIVMycelial Threadwork · chamber V of sixVThe Unknot · chamber VI of sixVIthe Wheel0510 milesTHE GROUNDSsurveyed in the naturalist's handWiddershins Project ArchiveThe Sounding-pod of Point au Sable · Pointe Sable, where the creek gives out into the bayaThe Ledge-Sleeper and the Rock's Own Time · the Ledge, where the creek runs cold off the rockbThe Crow Mage of the Ledge · past the Ledge and up, where a maple and a hemlock stand closecThe Skep-Goblin of the St. Anthony Shrine · the woods behind Le Mieux Chapel, Bay SettlementdThe Tidgetrotters of the Stinking Waters · the shallows of the Bay of Stinking WaterseFinnegan, the Tidgetrotter Cartographer · outbound over the Bay of Whispering WavesfThe Rimewrights of the Under-Ice · the frozen creek, at the under-icegThe Cap-folk of the Field-Margins · the hardwoods toward CascohLe Loup d'Eau · Algoma, where waters meetiwiddershinsthe holding goes deeperTHE OLD HOLDINGthe farmstead, as it was kept in mindplaceholder sheet · every shape a slot for the handNthe north woodsthe ponda few yearsthe NW hedgerowthe hedgerowthe corralthe gardenalways therea few yearsthe eastern fieldgarden, pasture, hay, and meadow by turnspasture, in its yearsVan Lanen Rdthe drivewaythe barnthe garagemachine shedpig pensmoke housethe granarychicken cooppump house (gone)the housethe climbing treehay mowmind the holes in the floorkitchen wingthe sidewalkred back stepsfalse doorpropane tankwood and junkthe little pondsBig Wheel hillthe ditchasparagustall grass, the open middlethorns · berries underneathlilacgrass up the middlewest to the creek, the bike path, and the poolfarther west, a tree fort in the big woodson through the woods, a tree fortsouth across the road, a tree fort in the woodsback up to the county sheetThe Cedar House · by the road, north of the ditch · a stand of close-grown cedars KITCHEN UPSTAIRS LIVING ROOM BEDROOMthe Cedar House KITCHEN UPSTAIRS LIVING ROOM BEDROOMOUR HOUSEthe Cedar Housevignette · placeholder KITCHEN UPSTAIRS LIVING ROOM BEDROOMOUR HOUSEthe Cedar Housefull drawing · placeholderThe Thresher · out in the eastern field · a wreck in the grass the Thresher A DERELICT SHIPthe Threshervignette · placeholder A DERELICT SHIPthe Thresherfull drawing · placeholderThe Fort · in the hedgerow's south tangle · under the thorns ?the Fort ?THE DOUBLE IS NOT YET RECORDEDthe Fortvignette · placeholder ?THE DOUBLE IS NOT YET RECORDEDthe Fortfull drawing · placeholder

Unearthed · mark f

Finnegan, the Tidgetrotter Cartographer

outbound over the Bay of Whispering Waves

The leaf lies where it was filed. What the ground held at this mark is recorded in the archive; the survey only fixes the where.

Cabinet · Tongue of the Archivist

Finnegan, the Tidgetrotter Cartographer

Field Notes, Terra Incognita, Plate VII

June 1, 2023 · “What is remembered is alive again.”

Widdershins Project Archive · File 3A-9

bestiarycartographyairshipbaynamed
Ink and watercolor portrait: a large-eared, goggled creature in a red coat seated at the helm of a small airship, ringed by brass instruments and a compass-rose armillary.
Terra Incognita, Plate VII · Watercolor, charcoal and India ink on Bristol · The Bay of Whispering Waves

On the quieter reach they call the Bay of Whispering Waves I found one of them out of the boat and alone, and for once one that would hold still to be drawn, because he wanted the record made.

His name, as near as the sound will come into our letters, is Finnegan, and he is a mapmaker. Red seaweed fur, a coat gone the color of it, a pair of ground-glass goggles pushed up on his brow, and around him the whole apparatus of his trade: brass reels, a compass-rose set on rings like a small orrery, and the airship he built himself out of castoff parts to go and chart the lands beyond the bay. His friend Aerin begged him not to go. He went. He mapped mistletoe cloud and stardust river, and then he turned around and came home, because word had reached him that the Ledge, the old refuge, was threatened by the encroaching shadow, and a map is no use to a country being paved.

I understood him better than I have understood any specimen in this book, and it unsettled me that I did. I am also a man who came out to these waters to make a record and found that the record was a way of standing guard. He is what my own work is, drawn as an animal. The cartographer becomes the defender. I put down my pencil when I saw it.


An earlier telling of this plate, recovered with it. Kept as found.

Hark! In the realm where mist spun tales across the Bay of Whispering Waves, dwelt a curious Tidgetrotter named Finnegan. His mop of red seaweed fur held dreams as vast as the Great Water, and his eyes, like polished pebbles, reflected a yearning for uncharted shores. His dearest friend, Aerin, as wise as the ancient tide pools, shared his love for the bay’s numinous secrets. Together, they charted its moods, its hidden nooks, and the whispered stories the waves told under moonlit skies.

But within Finnegan’s heart, a restless fire flickered. He dreamt of adventures beyond the bay’s embrace, of charting constellations and mapping lands veiled from Tidgetrotter eyes. One star-strewn night, he confessed his longing to Aerin, her fins drooping with worry at the dangers beyond their familiar haven.

Undeterred, Finnegan, with a heart as stout as a detritus-encrusted rock, built a fantastical airship, a marvel of castoff machine parts and driftwood hull. With a tearful farewell to Aerin and the bay, he soared into the boundless sky, his spirit as free as the wind.

His journey was a tapestry of wonder. He sailed over farmlands cloaked in mistletoe clouds, through forests where fireflies danced like mischievous sprites, and past rivers shimmering with stardust. Each discovery etched a new map onto his soul, filling him with tales whispered on the wind.

Yet, amidst the wonder, a pang of longing tugged at his heart. He dreamt of the Bay of Whispering Waves, of Aerin’s wise smile and the stories etched into the smooth stones. One day, a whisper carried troubling news: the ancient escarpment, a refuge untouched by anthro hands, was threatened by the encroaching shadows of progress.

Finnegan, with newfound knowledge and unwavering courage, charted a course back to his home. He returned, not as a wandering cartographer, but as a defender. With the bay’s creatures at his side, he rallied against the tide of change, weaving tales of its magic and the whispers of the waves.

And so, under the watchful gaze of the stars, Finnegan, the Tidgetrotter cartographer, became the guardian of the Bay of Whispering Waves. His adventures continued, not in distant lands, but in protecting the magic of his own, proving that the greatest journeys often lead back to the heart, where the true treasures lie.

the leaves lie in order; turn them back to the rock · drag to pan · scroll to zoom · past 3× the ground gives up small things · the ⊕ marks go down · the marks, listed below ·

the farmstead · drag to pan · scroll to zoom: a stamp far off, a drawing up close · lay the haunting and the doubles appear · zoom all the way out to surface · the ground, listed below